Happy Wainy-tine's Day!

Don Was is a Super Producer Who Brings Us Superstars

Congrats to Smiley Guy Studios!

DON WAS DELIVERS

Don Was                         Todd Snider                      Dock Ellis

Click Don to get the intro.

Click Todd to get the video.

Click Dock to get more.

Experienced an honor & a thrill a few weeks back in LA. Don Was invited me to visit one of his recording sessions at Henson Recording Studios in LA. The Muppets lair is the former home of the old A&M Records. The site was first known as Charlie Chaplin's movie studio at the turn of the last century.

The Wasmopolitan Cavalcade of Recorded Music is the My Damn Channel house that Don Was built. We're incredibly lucky bastards to have this man creating new music for your ears and eyes.

Today's brand new music is featured on our home page is from Todd Snider. If you're uninitiated, get to his music & his live shows.

We're on the road this weekend with Brother Don to film on location at Detroit's Concert of Colors. Check back here this summer for this live music supporting a most worthy event.

If you're in the Detroit area, or can get there - this weekend's shows are all free.

Don Was Detroit Super Session is LIVE this Sunday night at the Max M. Fisher Music Center in Detroit.

7:15 - 8:30 pm

Don Was Detroit Super Session Featuring the house band: Don Was (bass), Luis Rusto (keyboard), Randy Jacobs (guitar), Terry Thunder (percussion), David Was and special guests MC5 guitarist, Wayne Kramer, John Sinclair, Mitch Ryder, Lola Morales, The Muldoons, Sisters Lucas, members of Dirtbombs, Detroit Cobras, Black Bottom Collective, The Ramrods, Black Merda and other very special Detroit Superstars Motor City Rock, Funk, Jazz, Pop, Soul (USA) A once-in-a-lifetime event! Native Detroiter Don Was returns to lead an all-star cast of high-energy, only-in-Detroit talent. Fresh from the recent Was (Not Was) tour, Don Was (aka Don Fagenson) orchestrates a funky, jazzy, rockin’, soulful musical meltdown in historic Orchestra Hall, featuring John Sinclair, Lola Morales and members of Black Bottom Collective, Sisters Lucas, Detroit Cobras, the Dirtbombs and surprise special guests. Was is a master collaborator, best known for producing mega-watt musicians including Bob Dylan, the Rolling Stones, Elton John, Ringo Starr, Brian Wilson and Bonnie Raitt, whose Was-produced Nick of Time scored the 1990 Album of the Year Grammy Award. Was also took home the 1995 Grammy for Producer of the Year. Guaranteed to thrill!

THE FILTER

Peter Gabriel's filter

The rock star hopes to shock Amazon with a new web-based recommendation service.

(Fortune) -- There's a reason Peter Gabriel is a household name. One of the founders of the super-group Genesis, the British rock star went on to have great success as a solo artist known for his outlandish costumes, his cutting edge music videos, and of course, his '80s hits like "Sledgehammer" and "Shock The Monkey," which were both artistic and commercial milestones.

What's less known is that the 58-year-old Gabriel has done rather well since then as a digital media entrepreneur. In 2000, he co-founded OD2, which quickly became the leading European digital music provider with clients like Nokia and MSN. OD2's owners reportedly later sold the company for an estimated $20 million.

Okay, so Sammy Hagar reportedly sold a majority stake in his tequila business for four times that amount last year. But now Gabriel has a new business that's potentially much bigger. On Tuesday, he and a new group of partners launch the private-beta version of a web-based service called The Filter that will sort through the vast inventory of content on the Internet and recommend songs, movies, television show and web videos to its users. In May, The Filter website will be open to the public.

Ultimately, Gabriel and his partners in his Bath, England-based company have a grander vision for the Filter than telling you that if you like Sammy Hager, you might also like Van Halen's earlier stuff with David Lee Roth. They hope you'll one day be able to log in and find the perfect place to dine on your upcoming trip to, say, Barcelona -- and a suggestion for the right clothes to wear on your night out. Now that sounds like something an art rocker like Peter Gabriel would go for --- as opposed to a night of tequila swilling at Hagar's nightclub in Mexico.

Gabriel put up $8.5 million along with England's Eden Ventures to start The Filter because he fears that people are being overwhelmed by the web. "Everyone got really excited about the concept of infinite choice through the Internet," he says. "The reality is a little like getting a sore thumb with your remote on your television. Too much choice is not always a good thing."

He describes the solution to this machine-age dilemma in the sort of terms you might expect from a thinking man's rock star. "My friend [recording studio guru to Talking Heads, U2 and Coldplay] Brian Eno has been going on for some time about the increasingly important role of the curator over the creator," Gabriel explains. "In many ways, the disc jockey has become as important as the musician, which is one of the best illustrations of that. I would like a life jockey as well as a disc jockey."

The Filter's founders say their service could play that role nicely, claiming its recommendation engine is more sophisticated than anything else on the market. Unlike competing services, the Filter doesn't rely on the ratings that people assign to songs or movies online. It determines its users tastes by observing what they actually do with these items on the Internet.

The engine is particularly interested if someone buys a song, streams it or clicks on a related link. "We like to get real evidence of people's tastes," says Martin Hopkins, co-founder of The Filter and creator of its recommendation technology.

Hopkins also notes that The Filter's engine doesn't push people choices based on what they bought years ago. It slowly forgets what it learned because peoples' tastes change. Don't you wish Amazon's (AMZN, Fortune 500) service did the same?

Gabriel and his partners hope to generate revenue at The Filter by selling advertising. They also hope to license their technology to other digital media companies. The company already provides recommendations to the users of its former OD2 customers like MSN (MSFT, Fortune 500) and Nokia (NOK). That's why the service launches with a database of over 50 million transactions from which to make suggestions.

It's a long leap from recommending music to choosing their restaurants in foreign cities. Still, the idea is intriguing. Gabriel isn't just taking about this either. He's putting up a lot of money to make it happen. "This is definitely something that's worth watching," says Gartner analyst Mike McGuire who, like Fortune, was briefed by The Filter before the private beta launch.

As you might expect, Gabriel is in the studio working on new music, too. He owes one more album to EMI. After that, he plans to release his music on his own a la Radiohead. The graying rocker is thrilled that the Internet is giving artists a new means of distributing their music -- especially the ones who couldn't get a record deal even in the industry's better days. "I like it that the inmates are running the asylum,' says Gabriel.

This, of course means more choices for those overwhelmed consumers that Gabriel is so concerned about. All the more reason for his new company, right? No wonder he's so pleased.

First Published: April 15, 2008: 4:21 AM EDT\

TRUSTING TALENT

If you're in Vegas this week, or always looking for an excuse to go, My Damn Channel's flesh & bones will be onstage at the NAB (National Association of Broadcasters) convention Wednesday, 4/16 at 2pm.

The NAB invited us to spend an hour talking about TRUSTING TALENT in a place called the "Content Theatre."

Harry Shearer will be with us & we're 'trusting' Andy Milonakis will show up. The session is going to be moderated by Jon Healey from the LA Times. We promised Jon we're going to make some 'news' with an announcement that Harry and I will deliver Wednesday.

If 'trusting talent' is a radical idea that deserves to be dissected, then we'll whip out the scalpel and slice away a bit more - here - this weekend.

LIFE ON THE PIG (11.17.07 – 4:11 am)

This is NOT the title of a blog about my kids. If you’re a music fan – read on for a peek inside old MTV and for new pathways to free music. Here endeth the commercial. My wife and I took our twins in for another doctor visit yesterday. They seemed to have grown visibly - in just one day or so. The thought seemed improbable - but it was true. Dylan’s up to 9 pounds and Jessie’s up to 7/13. You hardly ever get to experience rapid change if you’re in the grown-up game. We’re conditioned to desire, to answer hunger, and to chase after what we want. But if you’re looking for significant, life-altering changes, then you’re usually looking at the kind of wait time that takes years. Instant, important growth is a rare reality inside the vicissitudes* of life on the PIG (Planet Instant Gratification). Expectations about life and work getting better in an instant are false realities made more intense in the post-MTV age of immediate online communication. In the 80s + 90s, we were attacked at MTV for fueling a quick-cut culture that turned art and music into crass pop product. Most juries would enter a guilty verdict on that one. Bill Flanagan is a great writer and a soulful music fan. He was one of a few trusted co-cons during our VH1 days together in the late 90s. Bill is still at MTV. If you ever watched his VH1 shows like "Storytellers" or "Legends" or "Crossroads" on CMT, then you know that Bill Flanagan is dedicated to keeping the "M" in Music Teleeevision. Bill once shared a theory about “music then” vs. “music now” - and it’s never gotten out of my fat head: Those of us who first met Rock as an original art form grew up believing that the music we heard had the distinct possibility of defining who we were. Our jukebox heroes delivered idealized visions of how we could live life if we had the balls or the guts. Ladies Rock too, fellas. Our Real Rock heroes were missionaries who showed us how to embrace freedom without fear. True Rock n' Roll hearts beat in opposition to rules that demand conformity and retreat. There aren’t many of these twisted, crazy aortas left out there. Unfortunately, many of the hearts you find in the music game are a little dyslexic. Professor Flanagan said that the music culture we found in the late 90s sent out a simple and sad message to a new generation of listeners. New sounds were being served up and received as product. Quick hits popped up out of nowhere from artists who seemed to be a lot more driven by cash and fame than by the possibility of spiritual transformations with an audience. The wheels have been falling off the music business wagon since the day Shawn Fanning put up his radical roadblock. At 19, Mr. Fanning introduced a revolutionary, anti-corporate, pro-democratic assault on crash commercialism by launching Napster. That tale has been written to death – but simply stated: he killed the music business. Shawn, if you’re out there – or someone is who knows how to get to him – here’s an open invitation to envisioning your own “My Damn Channel.” The old business has been hanging on, hoping that somehow the digital genie would dissipate. Bad move. New distribution pipes opened up everywhere taking away one of the last reasons inspired musicians needed major record companies. Little Steven tried to tell me in 2000 that the new digital pipeline recreated the old ‘single’ mentality and shoved the ‘album’ idea to the back of the bus. I didn’t want to believe him, but he was right. He always is. Good music still exists, but you rarely find it on commercial radio, or on corporate cable television. The monopolies that controlled these distribution pipes have little to no interest in taking risks by playing songs or artists that are not yet proven to be able to generate gobs of cash. The cumulative effect of decades spent denying all this shit at the top has done a great job of igniting soulful flames at the bottom of the corporate food chain. You know the places: it’s the basements, garages, and laptops where the good shit is happening. Little Steven knew this when he created the world called: UNDERGROUND GARAGE. He continues to take ‘the word’ to every distribution outlet he can find: radio, satellite, television, web, Wicked Cool Records, record stores (remember them!), and even now: to Rock & Roll High Schools. Steven: I know you’re a little busy at the moment – but it’s likely high time we did a little more co-conspiring. More than 5 people are starting to hear your call. We had over 160,000 unique visitors to My Damn Channel yesterday. We've only been LIVE for 109 days and our insanely fast success is largely due to the amazing work of Brothers Harry Shearer, David Wain, Troy Hitch, Matt Bledsoe, Andy Milonakis, and Don Was. I first met Don Was about 8 years ago. He entered the mystical land of mass consciousness as a founding member of the band Was (Not Was). Their hits like "Walk the Dinosaur" ruled the earth + MTV back in the day. In Modern Times, this soulful saint has served many of the most important artists in music as one of the most trusted producers in the world. Don Was helped birth albums for Bob Dylan, The Rolling Stones, Bonnie Raitt, Iggy Pop, The B-52's, Brian Wilson, The Black Crowes, Willie Nelson, Barenaked Ladies, and scores more. Don found our old web site: - and he emailed to reconnect just in time to be a charter member of the My Damn Channel launch team. Our baby business has never wanted to be “another comedy web site” and we’re certainly not trying to lay claim to the YouTube throne. But we signed Don Was to give My Damn Channel a shot at creating an entirely new model for music distribution. The result is something Don calls “The Wasmopolitan Cavalcade of Recorded Music.” Our idea is pretty simple. Don produces new music every week with some of the most talented musicians from every genre – every sound is valid. He normally takes artists into an LA studio – the old Charlie Chaplin studio – later the home of A&M Records – and now Henson Recording Studios. In one single session, Don produces an A-side and a B-side. He also documents the work by creating music videos shot in black & white and captured LIVE as the real music is being made. Try to find music videos on television where the guitar player is playing the real take that went down or the singer is filmed doing the recorded vocal live and you’ll end up with a sore thumb. We don’t have any cheerleaders or beach balls in our music videos (Hey Don – maybe we’re missin' something?), but we’re hell-bent on presenting the real deal - without artifice. Don has a crazy business model we think just might be crazy enough to start a little revolution. He’s offering every new recording to fans as FREE MP3 downloads. The artists are paid through generous grants from our sponsors including LINCOLN/MERCURY. It’s just like it was back in the earliest days of broadcasting - except Don has much better HAIR! He’s even experimenting with a new LIVE performance show called the “Wasmopolitan Dance Party.” He’s creating “Radio Was: The Party Shuffle Show,” a weekly radio show available free at My Damn Channel. If you want to discover new and old music the old fashioned way – this is the most eclectic, authentic thing you can find. Next time you find yourself jonesing for another dose of instant gratification ask yourself: "Well.......how did I get here?" My beautiful wife reminds me of what's real. Our family: Julia and Jessie and Dylan - and our extended clan - is mixed with blood, marriages, and a like-minded circle of soulful rebels all searching for that beautiful reward. There are never enough minutes and seconds for soul time in Life on the PIG (Planet Instant Gratification) – but my kids are sleeping right now and I’m going to take my snoot out of the virtual troth to listen to some good music with a sincere invitation for you to do the same.

* Vicissitudes: 1 a: the quality or state of being changeable : mutability b: natural change or mutation visible in nature or in human affairs 2 a: a favorable or unfavorable event or situation that occurs by chance : a fluctuation of state or condition <the vicissitudes of daily life> b: a difficulty or hardship attendant on a way of life, a career, or a course of action and usually beyond one's control c: alternating change : succession